Castarot

16 · Major Arcana

The Tower

What is drawn

The crown comes off first, before the lightning even lands. The structure was not load-bearing.

Upright

What falls was already not holding anything. It is loud, and it is not the same as loss.

Reversed

Holding up a structure by hand, daily, and calling the effort stability.

What is on the card, and how it is read

  • The crown coming off firstWhat was thought to be essential to hold up a structure is often the first thing to fall, revealing it was never load-bearing.
  • Lightning landing afterWhen the shock arrives, it only finishes what had already begun to collapse; the noise is not the cause, but the announcement.
  • The structure not load-bearingWhat falls was already not holding anything, so the collapse is not a loss of support but a revelation of existing weakness.

Only elements that are actually drawn on the 1909 plate.

Take it into a reading

Questions

Is The Tower a good card?

There are no good or bad cards here, only which side of one you are standing on. Upright: What falls was already not holding anything. It is loud, and it is not the same as loss. Reversed: Holding up a structure by hand, daily, and calling the effort stability.

What is the difference between The Tower upright and reversed?

Upright: What falls was already not holding anything. It is loud, and it is not the same as loss. Reversed: Holding up a structure by hand, daily, and calling the effort stability. A reversal is its own meaning, not the opposite of the upright.

How does The Tower relate to The Devil and The Star?

In the Major Arcana The Tower comes straight after The Devil and straight before The Star. The Devil: It could end. It does not. The Star: The thing that restores you is already in the picture. It does not promise the outcome.

Where this comes from

The 78 illustrations are the 1909 Rider–Waite deck, drawn by Pamela Colman Smith (1878–1951). More than seventy years after her death it is in the public domain in the US, the EU and Japan — the licence tag on every single file was checked on Wikimedia Commons. The original scans have had their outer border and title band trimmed, and one pass of tone laid over them so they sit with the frame. The frame, the banner and the card back were made here. The reader portraits are public-domain paintings — several decorative panels by Mucha (1860–1939), plus Copernicus by Matejko (1873), The Alchymist by Wright (1771) and The Crystal Ball by Waterhouse (1902). Their licence tags were checked one by one on Wikimedia Commons too, then cropped and toned to match.

The wording on this page is editorial — this site's reading of the card, not a quotation from Waite. Waite's own divinatory meanings are in The Pictorial Key to the Tarot (1910), which is in the public domain.