Castarot

11 · Major Arcana

Justice

What is drawn

The sword is upright and the scales are level — both at once. She is not weighing; she has already weighed.

Upright

Not punishment. Arithmetic.

Reversed

The books have not been balanced, and everyone involved knows which side is short.

What is on the card, and how it is read

  • upright swordThe blade stands straight up, which reads as a decision already made and held to, not a threat still being weighed.
  • level scalesThe pans sit even, which reads as a balance that is real and not merely hoped for.
  • the figure who has already weighedShe does not tip the scales, which reads as judgment that is finished rather than in progress.

Only elements that are actually drawn on the 1909 plate.

Take it into a reading

Questions

Is Justice a good card?

There are no good or bad cards here, only which side of one you are standing on. Upright: Not punishment. Arithmetic. Reversed: The books have not been balanced, and everyone involved knows which side is short.

What is the difference between Justice upright and reversed?

Upright: Not punishment. Arithmetic. Reversed: The books have not been balanced, and everyone involved knows which side is short. A reversal is its own meaning, not the opposite of the upright.

How does Justice relate to Wheel of Fortune and The Hanged Man?

In the Major Arcana Justice comes straight after Wheel of Fortune and straight before The Hanged Man. Wheel of Fortune: Something changed that you did not cause. What remains yours is the response. The Hanged Man: The pause is chosen, even if it does not feel that way. Something is being seen that only this angle shows.

Where this comes from

The 78 illustrations are the 1909 Rider–Waite deck, drawn by Pamela Colman Smith (1878–1951). More than seventy years after her death it is in the public domain in the US, the EU and Japan — the licence tag on every single file was checked on Wikimedia Commons. The original scans have had their outer border and title band trimmed, and one pass of tone laid over them so they sit with the frame. The frame, the banner and the card back were made here. The reader portraits are public-domain paintings — several decorative panels by Mucha (1860–1939), plus Copernicus by Matejko (1873), The Alchymist by Wright (1771) and The Crystal Ball by Waterhouse (1902). Their licence tags were checked one by one on Wikimedia Commons too, then cropped and toned to match.

The wording on this page is editorial — this site's reading of the card, not a quotation from Waite. Waite's own divinatory meanings are in The Pictorial Key to the Tarot (1910), which is in the public domain.