Castarot

12 · Major Arcana

The Hanged Man

What is drawn

He is tied by one ankle, and the other leg is crossed behind it. He could get down. He has not.

Upright

The pause is chosen, even if it does not feel that way. Something is being seen that only this angle shows.

Reversed

The waiting has stopped producing anything. It is now just the position you are used to.

What is on the card, and how it is read

  • a man tied by one ankleA single restraint holds him, and it is one he could undo.
  • the other leg crossed behindThe crossed leg shows deliberate stillness, not collapse.
  • he could get downThe way out exists and is known; staying is the choice.
  • he has notNot moving is the active decision here, not the absence of one.

Only elements that are actually drawn on the 1909 plate.

Take it into a reading

Questions

Is The Hanged Man a good card?

There are no good or bad cards here, only which side of one you are standing on. Upright: The pause is chosen, even if it does not feel that way. Something is being seen that only this angle shows. Reversed: The waiting has stopped producing anything. It is now just the position you are used to.

What is the difference between The Hanged Man upright and reversed?

Upright: The pause is chosen, even if it does not feel that way. Something is being seen that only this angle shows. Reversed: The waiting has stopped producing anything. It is now just the position you are used to. A reversal is its own meaning, not the opposite of the upright.

How does The Hanged Man relate to Justice and Death?

In the Major Arcana The Hanged Man comes straight after Justice and straight before Death. Justice: Not punishment. Arithmetic. Death: Something is ending on its own schedule, not yours. What comes after is already in the frame.

Where this comes from

The 78 illustrations are the 1909 Rider–Waite deck, drawn by Pamela Colman Smith (1878–1951). More than seventy years after her death it is in the public domain in the US, the EU and Japan — the licence tag on every single file was checked on Wikimedia Commons. The original scans have had their outer border and title band trimmed, and one pass of tone laid over them so they sit with the frame. The frame, the banner and the card back were made here. The reader portraits are public-domain paintings — several decorative panels by Mucha (1860–1939), plus Copernicus by Matejko (1873), The Alchymist by Wright (1771) and The Crystal Ball by Waterhouse (1902). Their licence tags were checked one by one on Wikimedia Commons too, then cropped and toned to match.

The wording on this page is editorial — this site's reading of the card, not a quotation from Waite. Waite's own divinatory meanings are in The Pictorial Key to the Tarot (1910), which is in the public domain.